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Since her arrival in New York from her native Louisiana in the late 1960s, Lynda Benglis gained recognition for creating a groundbreaking body of work that challenged sculpture and painting conventions in a largely male-dominated art world.
A tireless explorer of new shape and materials, Benglis's gestural and formal approach to art-making has, over the years, elevated her to iconic status, her work being evidence of how process can wield pliant matter and let it 'take its own form'.