{"title":"Dog Ear","description":null,"products":[{"product_id":"ando-complete-works","title":"Ando: Complete Works","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFIRST EDITION of \u003cem\u003eAndo: Complete Works\u003c\/em\u003e. \u003cmeta charset=\"utf-8\"\u003ePublished by Taschen in 2007.\u003c\/p\u003e\n\u003cp\u003ePhilippe Starck describes him as a \"mystic in a country that is no longer mystic.\" Philip Drew calls his buildings \"land art\" that \"struggle to emerge from the earth.\" He is the only architect to have won the discipline's four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. His name is Tadao Ando, and he is one of the world's greatest living architects. Combining influences from Japanese tradition with the best of Modernism, Ando has developed a completely unique building aesthetic that makes use of concrete, wood, water, light, space, and nature in a way that has never existed elsewhere in architecture. 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Some wear \u0026amp; tear on dust jacket. \u003c\/p\u003e\n\u003c!----\u003e","brand":"availableitems","offers":[{"title":"Default Title","offer_id":46119671562483,"sku":"andobook","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0619\/3849\/9827\/files\/IMG_2383.png?v=1724238211"},{"product_id":"noguchi","title":"Isamu Noguchi: A Sculptor's World","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRARE FIRST EDITION!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eA Sculptor's World\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eis the \u003c\/span\u003e\u003cspan\u003erenowned autobiography of Isamu Noguchi, one of the twentieth century’s most important sculptors and an influential believer in the social significance of the medium. Through over 250 images—photographs of Noguchi’s experimental work, drawings and architectural plans—and told in his own words, it remains his most comprehensive statement about the art that brought him international acclaim. With an avant-garde layout and typography that remain fresh and compelling today, the book is essential reading for anyone with an interest in Noguchi’s work—simultaneously subtle and bold, traditional and modern— or a general interest in sculpture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished by Thames \u0026amp; Hudson, 1967. Foreword by R. Buckminster Fuller. 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Her long career embraced much of the history of modern design in France, including Art Deco, machine-age modernism, the organic rusticity of the 1930s, serially produced metal and wood furniture in the '50s and '60s, and plastic and prefabricated units in the '70s. She saw her designs not merely as elegant objects but as part of a larger social program to extend the pleasures of modern life (\"l'art de vivre\") to working- and middle-class people. The first book in English on this important figure in the history of 20th century design.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePublished in 2003 by Harry N. Abrams, Inc. \u003cmeta charset=\"utf-8\"\u003eHardcover. 304 pp., over 300 illustrations, including 60 color plates. \u003c\/span\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eIn very good condition. 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John Chris Jones crafts a bold philosophical inquiry through a series of epistolary meditations, challenging conventional assumptions about technology, communication, and human potential in the digital age.\u003cbr\u003e\u003cbr\u003eThis is not merely a book about the internet—it is a radical reimagining of how networked communication reshapes consciousness itself. Jones presents a rigorous theoretical framework that positions automation and electronic transmission as forces capable of liberating humanity from the constraints of industrial thinking. His central thesis is uncompromising: the virtual realm possesses equal ontological weight to physical reality, and networked consciousness represents nothing less than an awakening to new modes of existence.\u003cbr\u003e\u003cbr\u003eBy synthesizing deep analysis of technological systems with philosophical inquiry, Jones demonstrates how digital networks dissolve traditional hierarchies of knowledge creation and distribution. 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Koch, celebrated as the visionary behind the innovative Techbuilt House system, collaborates with Andy Lewis to present a comprehensive vision of contemporary home design philosophy and practice.\u003cbr\u003e\u003cbr\u003ePublished by Rinehart \u0026amp; Company in 1958, this oblong hardcover spans 208 pages and features compelling mid-century modernism documentation. 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Through meticulously constructed maps that trace interconnected networks of names, companies, and institutional players, Lombardi's visual cartographies achieve a rare duality—simultaneously compelling in their aesthetic precision and harrowing in their revelations of global scandal.\u003cbr\u003e\u003cbr\u003eThis exhibition catalog stands as a definitive formalization of political turmoil across international governance structures. The works compiled here constitute both historical documentation and critical intervention, prompting essential questions about art's capacity to communicate factual information. Can these intricate visualizations transcend art's subjective nature to function as legitimate tools of political knowledge, or does their conceptual sophistication ultimately undermine claims to objective truth? 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Iconic work by designers including Le Corbusier, Ludwig Mies van der Rohe, Alvar Aalto, Frank Lloyd Wright, Isamu Noguchi, and Philippe Starck appears alongside contemporary designs, creating a broad visual overview of changing materials, forms, and approaches to furniture design. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished in four languages, the book functions as both a visual reference and a snapshot of international furniture design at the turn of the twenty-first century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePaco Asensio, editor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eteNeues, 2002\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover\u003c\/span\u003e\u003cbr\u003e400 pages\u003c\/p\u003e","brand":"availableitems","offers":[{"title":"Default Title","offer_id":67672800919795,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0619\/3849\/9827\/files\/furniture-design.png?v=1791414678"},{"product_id":"design-art","title":"Design ≠ Art","description":"\u003cp data-pm-slice=\"1 1 []\"\u003eFrom the collection of MM Tremonto, Paris.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eDesign ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e explores the fascinating territory between fine art and functional design through furniture and objects created by some of the most influential Minimalist and post-Minimalist artists of the twentieth century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished to accompany the landmark 2004 exhibition at Cooper-Hewitt, National Design Museum, the book brings together rarely seen functional works by Donald Judd, Scott Burton, Richard Tuttle, Dan Flavin, Sol LeWitt, Rachel Whiteread, and others. Furniture, lighting, rugs, tableware, and domestic objects reveal how artists known primarily for sculpture and installation approached questions of utility, materials, proportion, and everyday use. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRichly illustrated and informed by conversations with many of the artists, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDesign ≠ Art\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e examines where—or whether—a meaningful boundary exists between an artwork and an object made to be used. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBarbara J. 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